राजा रवि वर्मा
राजा रवि वर्मा का जन्म 1848 में त्रावनकोर के किलिमानूर गाँव में हुआ था| इनकी माँ उमा अम्बा बाई संगीत में दक्ष थी| जबकि पिता नीलकांत भट्ट वेदों के ज्ञाता व संस्कृत के पंडित थे|
Art Education
How to use Watercolor
Let’s learn how to use watercolor. The watercolor technique is a very popular medium for painting. Everyone loves watercolor paintings. Infect Watercolor has versatile, wonderful, and very elegant effects on the surface. That’s why the trends of watercolor painting have never died. This article will simply introduce beginners to the watercolor technique. We will discuss
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Progressive Artist Group: Indian Artist Groups
This article is about Indian groups like Progressive Artist Group, Delhi Shilpi chakra, and others. We will start with the earliest art groups to the modern ones of Modern Indian Art History. By the way, this topic is not so long when and which group was formed and who made it. But the circumstances of
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New Experience to be Live in Swayam Prabha Channel
I have been an awesome experience to be live on a national educational channel like Swayam Prabha. Here I share some of the highlights of my experience. Let’s find out how it was for me…
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Pal Art
The article has details about Pal Art. In fact, We also know the Pal School of Art as Pal Style. The dynasties of Pal and Sen of Bihar & Bengal mainly developed this style of Art under them. This art style is one of the important art styles of Indian Art. Introduction of Pal Art
Perspective in Art
Perspective in art is an essential part of landscape art as well as to create depth in painting or in the artwork. This article introduces the basics of Perspective. I uploaded a video (Link was given below) on Perspective in Art. Perspective in art is an essential part of landscape art as well as to create depth
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Six Limbs of Art
Principles (Shadang) Or Six Limbs of Indian Art The six limbs of Art or the theory of Indian painting is first mentioned in the Kamasutra of Vatsyayana. Six Limbs of Art were composed in B.C. 600-200. Further, Yashodhar Pandit, a resident of Jaipur criticized it in the 11th century and presented the theory of these ancient paintings